Sameer Reddy's cinematography is efficient. This old-type antagonist who has threatened the Telugu film hero and his family a countless number of times film after action film is too jaded to be taken seriously. Shivanna, we are told, can send shivers down the spine of Warangal. His chemistry with Sai Pallavi is neat. The expression on the hero's face is that inappropriate. Nani is made to say more than what is needed in the cylinder scene that comes post-interval.
If family audience lap up the second half, it may end up as an average film. But then, he is clueless at the first opportunity when it comes to concocting conspiracies to defeat the hero, whose only resources are his mind and friends none of whom seem to have any sense of urgency, anyway. Tags: mca full move downlod Video Songs, mca full move downlod hd video, mca full move downlod video clip, mp4 mca full move downlod movie mp3 songs, mca full move downlod mp4 hd, mca full move downlod mp3, mca full move downlod full song download, mca full move downlod hd, mca-full-move-downlod video, mca full move downlod movie download, mca full move downlod Bollywood Songs, mca full move downlod music, mca full move downlod lyrics, mca full move downlod mp3 track, mca full move downlod video download. Despite having close to 30 crore pre-release business, minimum production values are missing which is glaringly evident in songs and other technical aspects. The obvious importance and authority that Vadhina Bhumika gets at the home drives Nani to develop slight conflict with her.
Bhumika as the woman of few words and Vadina of many rules performs well. This is when Rajeev Kanakala appears unannounced in Warangal, spoiling his plan of packing off Bhumika to a faraway place. The second half is about how the hero uses his mind power and guts to keep the villain from harming Bhumika. This is also when Nani, who has all along seen his Vadina as the villain who snatched his brother from him, comes to know how much he means to her. While he falls in love with Pallavi Sai Pallavi , the sincere government officer develops rivalry with Shivanna Vijay Varma , a dreaded businessman. .
Average performances, the Vadina-Maridi equations and the rom-com track in the first half work to an extent. Scenes later, the same hero, who alone knows what kind of an existential threat his Vadina faces, keeps an incredibly light-touch expression in the railway station scene at a time when he has to send Bhumika to Delhi to save her from the villains. Director Venu Sriram tries his best in projecting the villain as a merciless thug with his own idiosyncrasies. New villain Vijay looks ruthless, but nativity is missing in his features. Naresh, Subhaleka Sudhakar, Pavitra Lokesh got insignificant roles. This is going to be a harbinger of more such roles for her in Tollywood.
The songs pass muster; choreography-wise, 'Yevandoi Nani Garu' is superb. The actress may not have you go 'fidaa' over her; suffice it to say that she brings with her a scent of cheerfulness to her character. If you didn't know the story, you would think that he wants Bhumika to go out of station so that he can have a beer party with friends at home. Sai Pallavi going all out in wooing the hero and asking him about when they can marry is an example of role reversal. This heavy-duty line was hardly needed in the situation. Right from the time Subhalekha Sudhakar, that old man from the '80s era movies waging a lonely battle against a shark with the proofs he has collected is introduced, the film starts smelling of dated elements. Together with Priyadarshi and gang, the Natural elicits a few laughs in the first half with his okayish comic timing.
Every time he is confronted with an opponent, Shiva wonders if he can shoot himself were it to bear any fruits. Nani being forced into obeying his no-nonsense, focused Vadina is interesting. No prizes for guessing that he takes it upon himself to keep Shivanna from going after his Vadina. Second half is all about cat and mouse game between Hero and antagonist without any exciting factor. You feel connected to a number of scenes if you have grown up in a middle-class family — doing household chores sans a maid etc. Priyardarshi, Vennela Kishore, Rajeev Kanakala, Naresh, Posani, Amala and others are so-so.
This quirk becomes a game-changer in the climax. This is a good comeback film for her. Story: Nani Nani is a happy-go-lucky middle-class guy with extraordinary attention, retention and concentration skills. Vijay Varma's hackneyed villainy comes unstuck and so does he. Devi Sri Prasad springs a surprise with a sub-par background music; it's seriously ordinary. However, this drama may appeal to family audience to some extent but for others. Story runs in three threads.
Poor villainy marred the little scope they have to generate some fear factor. Rajeev Kanakala, Priyadarshi pulikonda have limited roles and they did ok. A good situational comedy has been generated out of the contexts like helping his vadhina in cutting vegetables, grabbing milk from the booth and groceries from the market. Had the makers told us the profession of Bhumika and what Vijay Varma does, there would have been no reason to hope for anything beyond a formulaic trajectory in the second half. However, the very characterization is not enough to evoke fear, disgust or anything else for that matter. There may not be much of Vennela Kishore, but the 2-3 scenes he is in work. Analysis: Despite a cliched set-up, the film delivers laughs and tries to defy a few conventions in the first half.